(via slaykob)

omgthatartifact:

Sewing Kit
Lakota or Sioux, 19th century
The Brooklyn Museum

omgthatartifact:

Sewing Kit

Lakota or Sioux, 19th century

The Brooklyn Museum

(via adailyriot)

allimdoingis:

I’ve watched this video maybe 20 times now.

Look at these fierce ladies performing this hula, transcending the expectations of the hula mu’umu’u.  Look at this hula confronting ableism, re-telling the story of Manamanaiakaluea, not as a woman who had struggled, was pitied, and was restored.  This is a hula about the grace and power of Hi’iaka and the strength and resilience of Manamanaiakaluea.

This is a hula about survivance.

“Pi’i Ana A’ama” - Kumu Hula Mark Keali’i Hoomalu

this gives me chills & makes me all teary-eyed & shit.

(via custerdiedforyoursins)

sentaqu:

(via Beelog)
apaxicana:

Northern traditional dancer and Nez Perce Native American, Paris Green poses for a portrait during the Contest Powwow Honoring President Joe Shirley Jr., on Friday, March 18, 2011, in Chinle, Navajo Nation.Read more:http://indiancountrytodaymedianetwork.com/photogallery/a-2011-pow-wow-retrospective-via-the-incredible-portraits-of-diego-james-robles-part-iii http://indiancountrytodaymedianetwork.com/photogallery/a-2011-pow-wow-retrospective-via-the-incredible-portraits-of-diego-james-robles-part-iii#ixzz1rlUjlbUq

apaxicana:

Northern traditional dancer and Nez Perce Native American, Paris Green poses for a portrait during the Contest Powwow Honoring President Joe Shirley Jr., on Friday, March 18, 2011, in Chinle, Navajo Nation.

Read more:http://indiancountrytodaymedianetwork.com/photogallery/a-2011-pow-wow-retrospective-via-the-incredible-portraits-of-diego-james-robles-part-iii http://indiancountrytodaymedianetwork.com/photogallery/a-2011-pow-wow-retrospective-via-the-incredible-portraits-of-diego-james-robles-part-iii#ixzz1rlUjlbUq

(via fuckyeahethnicmen)

The Untold Story of The Iroquois Influence On Early Feminists

deluxvivens:

by Sally Roesch Wagner

I had been haunted by a question to the past, a mystery of feminist history: How did the radical suffragists come to their vision, a vision not of Band-Aid reform but of a reconstituted world completely transformed?

For 20 years I had immersed myself in the writings of early United States women’s rights activists — Matilda Joslyn Gage (1826-1898), Elizabeth Cady Stanton (1815-1902), Lucretia Mott (1793-1880) — yet I could not fathom how they dared to dream their revolutionary dream. Living under the ideological hegemony of nineteenth-century United States, they had no say in government, religion, economics, or social life (“the four-fold oppression” of their lives, Gage and Stanton called it.) Whatever made them think that human harmony — based on the perfect equality of all people, with women absolute sovereigns of their lives — was an achievable goal?

Surely these white women, living under conditions of virtual slavery, did not get their vision in a vacuum. Somehow they were able to see from point A, where they stood — corseted, ornamental, legally nonpersons — to point C, the “regenerated” world Gage predicted, in which all repressive institutions would be destroyed. What was point B in their lives, the earthly alternative that drove their feminist spirit — not a utopian pipe dream but a sensible, do-able paradigm?

Then I realized I had been skimming over the source of their inspiration without noticing it. My own unconscious white supremacy had kept me from recognizing what these prototypical feminists kept insisting in their writings: They caught a glimpse of the possibility of freedom because they knew women who lived liberated lives, women who had always possessed rights beyond their wildest imagination — Iroquois women.

The more evidence I uncovered of this indelible Native American influence on the vision of early United States feminists, the more certain I became that this story must be told.

Read More

(via bad-dominicana)

so-treu:

Zulu women.

so-treu:

Zulu women.

cassket:

Strikes With Nose, Oglala Sioux chief, by Heyn Photo, 1899

cassket:

Strikes With Nose, Oglala Sioux chief, by Heyn Photo, 1899

(via badlandspolaroid)

okaytelephone:

‘
This art picture shows beautiful Mayan women piercing them selves in a sacred bloodletting ritual.
                                                        ‘

okaytelephone:

This art picture shows beautiful Mayan women piercing them selves in a sacred bloodletting ritual.

                                                        ‘

(via elisamexica)

FYI: Mexico,Central America, Latin America is full of natives. Not just aztecs of incas. There are so many nations present living and surviving. A lot of stories. Many indigenous groups because of starvation/poverty move to big cities in the US. Nafta is one big cause. They might be the ones that serve you at your dinner table, clean your houses, park your mofockin cars. A lot of em speak their native languages. For example oakland has a big todos santos Mayan Community. We all have been colonized differently but were all still here. Real talk. Lets unite. Lets put in work. Lets heal.

(via adailyriot)